This is a column the North Shore News wrote regarding an interview with Ruby Red Burlesque’s director Cameron Fatkin. He expresses his intrigue in burlesque, and how his inspiration to create the show came to be.

- Ruby Red Burlesque, presented by Concrete Vertigo Productions, Oct. 1-10 (except Oct. 4), at 7:30 p.m. at the PAL Theatre, 581 Cardero St., Vancouver. Tickets: $15 through www.ticketstonight.ca.
When it comes to Las Vegas, many believe that what happens there, should stay there.
Cameron Fatkin is of a different opinion.
The North Vancouver resident and Capilano University film program graduate opted to break with tradition following his February trip to Sin City.
During his visit, Fatkin took in a number of burlesque shows –some small, intimate productions as well as some larger, big-budget affairs.
When he returned to the Lower Mainland, the 21-year-old realized the shows had made quite an impression.
“I couldn’t get the idea of doing a burlesque show out of my head,” he says.
Interested in revitalizing his involvement in theatre, having taken some time off from acting and writing for the stage to pursue a career in the film industry, Fatkin considered mounting an existing musical. However, his Vegas experience prompted him to move in a more original direction.
Struck by burlesque’s empowerment of women, impressive choreography, costumes, and overall entertainment value, he decided to create Ruby Red Burlesque, a sexually-charged retelling of the classic Wizard of Oz tale. The show, a unique cross between musical theatre and burlesque, opens tonight in Vancouver at the PAL Theatre and runs until Oct. 10.
Joining Fatkin for the production, the inaugural through his company Concrete Vertigo Productions, are a number of talented local actors and behind-the-scenes team members, the majority of whom are also graduates of Capilano University.
“Our goal was to bring a Vegas-style show to Vancouver,” he says.
Fatkin wrote the script and is directing the work. A musical revue, Ruby Red Burlesque features a wide variety of music from the last few decades, ranging from a Pat Benatar cover to Marilyn Manson’s version of “Sweet Dreams.”
The show covers the major plot points from the 1900 novel by Frank Baum and the 1939 classic film starring Judy Garland.
“Instead of saying that we’ve turned it on its head, we say that we’ve turned it on its stomach and spanked it,” laughs Fatkin.
Dorothy is played by Capilano musical theatre program alumna Jacqueline Breakwell, seen in many recent local productions, for example Fighting Chance Productions’ Rent and TUTS’ Jesus Christ Superstar.
Ruby Red’s Dorothy travels through Oz, a sexually free and liberal land. Her subsequent journey of self-discovery and sexual freedom helps her overcome her shyness and fully embrace what it means to be a woman.
For the most part, the actors jumped on board with the project. One woman expressed concern that the burlesque genre may prove too much for her modesty. However, she’s a convert, says Fatkin.
“I think the show really helped her because it does have a really positive message about being comfortable in your own body and everything,” he says. “And she now is down to pasties and she’s having a lot of fun. It’s a very positive show. We try to send a really good message. It’s a very feminist show.”
Fatkin believes Ruby Red Burlesque will appeal widely to audiences. For example, older audiences will be interested, being more familiar with the genre from its heyday; as well as younger audiences, both men and women, will find it enjoyable as burlesque empowers rather than objectifies performers and is continuing to increase in popularity.
“I think the gay community will (also) like it because one of our lead characters, Glinda the Good Witch, is now a drag queen,” says Fatkin. “It’s very glittery. It’s fun. It’s sexy.”
The 12 cast members undergo many costume changes, designed by Capilano graduates Chelsey Danielson and Elizabeth Dubney. From an Indian-inspired Emerald City scene to an Iron Maiden-esque Tin Woman, the designers have taken a no-holds-barred approach.
Fatkin is also pleased with the show’s choreography, created by Britt Macleod who plays The Ragdoll, his version of The Scarecrow.
“She’s a wild woman, oh my goodness,” he says. “The stuff that she comes up with, everyone’s like ‘We’re going to break our ankles’ because everyone’s in six inch shoes.”
Fatkin can’t wait for audiences to experience the work.
“It’s stressful and everything leading up to it, especially now that we open (today),” he says. “But I’m really excited. It’s weird because we started planning this back in early May and we were like, ‘Oh it’s so far away, it’s so far away’ and we spent all summer working on it. . . . . Time went by really quickly.”
“I want people to come see it. I think people will be really surprised,” he adds.
© Copyright (c) North Shore News
Opening night was definitely interesting for many of us, but an over all fun night.We were sold out and the crowed laughed and enjoyed every bit of it. I didn’t know people thought I was this funny. Hope some of you can make it out to the show, cause you will have a blast!
tickets for the show at: www.ticketstonight.ca
Cesar